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	<title>industryofcreativity's Blog</title>
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		<title>industryofcreativity's Blog</title>
		<link>http://industryofcreativity.wordpress.com</link>
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		<title>Viral Marketing</title>
		<link>http://industryofcreativity.wordpress.com/2009/06/23/viral-marketing/</link>
		<comments>http://industryofcreativity.wordpress.com/2009/06/23/viral-marketing/#comments</comments>
		<pubDate>Tue, 23 Jun 2009 08:22:50 +0000</pubDate>
		<dc:creator>theindustryofcreativity</dc:creator>
				<category><![CDATA[Movies And Suchlike]]></category>

		<guid isPermaLink="false">http://industryofcreativity.wordpress.com/?p=113</guid>
		<description><![CDATA[http://www.youtube.com/watch?v=vj29qmLnBiE Here a short clip on Viral Marketing. Within 2 minutes, they capture the essence on of (Viral) Marketing. Marsha<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=industryofcreativity.wordpress.com&amp;blog=6726038&amp;post=113&amp;subd=industryofcreativity&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.youtube.com/watch?v=vj29qmLnBiE">http://www.youtube.com/watch?v=vj29qmLnBiE</a></p>
<p>Here a short clip on Viral Marketing. Within 2 minutes, they capture the essence on of (Viral) Marketing.</p>
<p>Marsha</p>
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		<title>The Truth Of Advertising</title>
		<link>http://industryofcreativity.wordpress.com/2009/03/30/the-truth-of-advertising/</link>
		<comments>http://industryofcreativity.wordpress.com/2009/03/30/the-truth-of-advertising/#comments</comments>
		<pubDate>Mon, 30 Mar 2009 14:48:22 +0000</pubDate>
		<dc:creator>theindustryofcreativity</dc:creator>
				<category><![CDATA[Movies And Suchlike]]></category>

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		<description><![CDATA[maxie.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=industryofcreativity.wordpress.com&amp;blog=6726038&amp;post=85&amp;subd=industryofcreativity&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<span style="text-align:center; display: block;"><a href="http://industryofcreativity.wordpress.com/2009/03/30/the-truth-of-advertising/"><img src="http://img.youtube.com/vi/Go_VtqtxCHY/2.jpg" alt="" /></a></span>
<p>maxie.</p>
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		<title>Twitter</title>
		<link>http://industryofcreativity.wordpress.com/2009/03/29/twitter/</link>
		<comments>http://industryofcreativity.wordpress.com/2009/03/29/twitter/#comments</comments>
		<pubDate>Sun, 29 Mar 2009 17:50:17 +0000</pubDate>
		<dc:creator>theindustryofcreativity</dc:creator>
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		<description><![CDATA[An entertaining video about twittering. Yiu<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=industryofcreativity.wordpress.com&amp;blog=6726038&amp;post=82&amp;subd=industryofcreativity&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<span style="text-align:center; display: block;"><a href="http://industryofcreativity.wordpress.com/2009/03/29/twitter/"><img src="http://img.youtube.com/vi/PN2HAroA12w/2.jpg" alt="" /></a></span>
<p>An entertaining video about twittering.</p>
<p>Yiu</p>
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		<title>I Think This Is An Interesting Statement</title>
		<link>http://industryofcreativity.wordpress.com/2009/03/25/i-think-this-is-an-interesting-statement/</link>
		<comments>http://industryofcreativity.wordpress.com/2009/03/25/i-think-this-is-an-interesting-statement/#comments</comments>
		<pubDate>Wed, 25 Mar 2009 13:20:14 +0000</pubDate>
		<dc:creator>theindustryofcreativity</dc:creator>
				<category><![CDATA[Movies And Suchlike]]></category>

		<guid isPermaLink="false">http://industryofcreativity.wordpress.com/?p=79</guid>
		<description><![CDATA[Education is a terrible way to find out what you&#8217;re good at. Sound strange, right? But think about this; how many of you are currently working in the subject you liked most in school. Not the one you excelled in, the one you liked. In our very streamlined public education system, children around the world [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=industryofcreativity.wordpress.com&amp;blog=6726038&amp;post=79&amp;subd=industryofcreativity&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Education is a terrible way to find out what you&#8217;re good at. Sound strange, right?<br />
But think about this; how many of you are currently working in the subject you liked most in school. Not the one you excelled in, the one you liked. In our very streamlined public education system, children around the world are taught the maths and sciences, but how many of them are taught art, painting or dance with the same vigour? Riz speaks with world renowned creativity and education expert Ken Robinson who strongly believes the current state of education may begin holistically but progressively focuses &#8220;on the head, and then just to one side.&#8221;</p>
<span style="text-align:center; display: block;"><a href="http://industryofcreativity.wordpress.com/2009/03/25/i-think-this-is-an-interesting-statement/"><img src="http://img.youtube.com/vi/YAt-3Yk2u80/2.jpg" alt="" /></a></span>
<p> </p>
<p>Ida de Boer</p>
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		<title>Generation X-tasy</title>
		<link>http://industryofcreativity.wordpress.com/2009/03/25/generation-x-tasy/</link>
		<comments>http://industryofcreativity.wordpress.com/2009/03/25/generation-x-tasy/#comments</comments>
		<pubDate>Wed, 25 Mar 2009 11:31:28 +0000</pubDate>
		<dc:creator>theindustryofcreativity</dc:creator>
				<category><![CDATA[About]]></category>

		<guid isPermaLink="false">http://industryofcreativity.wordpress.com/?p=74</guid>
		<description><![CDATA[Nowadays the generation X-tasy determine a big part of the leisure industry. They are the &#8216;experience economy&#8217;. In this article that I found on www.ubercool.com &#8211; after our guest college on the 18th of february &#8211; shows what influences the generation has and how everything will adjust to theirs needs. I only put the short [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=industryofcreativity.wordpress.com&amp;blog=6726038&amp;post=74&amp;subd=industryofcreativity&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Nowadays the generation X-tasy determine a big part of the leisure industry. They are the &#8216;experience economy&#8217;. In this article that I found on <a href="http://www.ubercool.com">www.ubercool.com</a> &#8211; after our guest college on the 18th of february &#8211; shows what influences the generation has and how everything will adjust to theirs needs.</p>
<p>I only put the short introduction under need, the rest of the article can be found when you click on the link.</p>
<p class="post-details">Posted on March 20, 2009 by <a title="Posts by Michael Tchong" href="http://www.ubertrends.com/author/admin/"><span style="color:#828b1b;">Michael Tchong</span></a> in <a title="View all posts in Ubertrends" rel="category tag" href="http://www.ubertrends.com/category/ubertrends/"><span style="color:#828b1b;">Ubertrends</span></a></p>
<h3>They stand in long lines eager to gain entry into one of the city’s celebrated nightclubs. Once they slip by those over-sized 350-pound doormen, they line up again at the bar, where they wait usually three-deep for a chance to scream their orders to bartenders who make hundreds of $10 cocktails each hour. Welcome to Tao Las Vegas. Welcome to Generation X-tasy.</h3>
<p class="post-details"><img src="http://www.coolbusinessideas.com/images/bong_vodka.jpg" alt="" /></p>
<p><a href="http://www.ubertrends.com/generation-x-tasy/">http://www.ubertrends.com/generation-x-tasy/</a></p>
<p> </p>
<p>Esther Mannaerts</p>
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		<title>About Blogging..</title>
		<link>http://industryofcreativity.wordpress.com/2009/03/23/about-blogging/</link>
		<comments>http://industryofcreativity.wordpress.com/2009/03/23/about-blogging/#comments</comments>
		<pubDate>Mon, 23 Mar 2009 19:53:12 +0000</pubDate>
		<dc:creator>theindustryofcreativity</dc:creator>
				<category><![CDATA[About]]></category>

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		<description><![CDATA[I thought this article might be interesting to read after our class about &#8216;blogging&#8217; Ida &#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211; Towards a taxonomy of blogs Before we criticise bloggers, let’s define our terms, writes MARGARET SIMONS SOMETIMES language can obscure as much as it reveals, particularly when the world changes faster than our ability to create new vocabulary. I think [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=industryofcreativity.wordpress.com&amp;blog=6726038&amp;post=72&amp;subd=industryofcreativity&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>I thought this article might be interesting to read after our class about &#8216;blogging&#8217;</p>
<p>Ida<br />
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<span class="if::webboard::short_title2 text::webboard::short_title2 eventd">Towards a taxonomy of blogs</span></p>
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<p class="list_lines::webboard::content"><span class="each_lines::webboard::content"><span class="rawtext::webboard::content"><strong>Before we criticise bloggers, let’s define our terms, writes MARGARET SIMONS</strong><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content">SOMETIMES language can obscure as much as it reveals, particularly when the world changes faster than our ability to create new vocabulary.</span><br />
</span><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content">I think we have reached this situation with “blogging.” Never the most beautiful sound, the word “blog” is now manifestly inadequate to allow us to talk in sensible ways about the many different things that are happening in internet based publication by individuals and groups.</span><br />
</span><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content">We need new words. To draw an analogy, both <a href="http://www.hellomagazine.com/" target="_blank">Hello</a> and <a href="http://www.themonthly.com.au/" target="_blank">The Monthly</a> are magazines, but knowing that is hardly enough to decide whether or not you might be interested in reading them. For that we need more information, and more differentiation.</span><br />
</span><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content">I think the need for new vocabulary is becoming urgent. Last month I took part in many anguished discussions in various forums in the wake of the redundancy announcements at Fairfax, and all the resulting worry about the future of serious journalism in this country. The question was asked – is blogging one of the hopes of the future?</span><br />
</span><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content">As speakers variously scoffed at the idea or spoke hopefully, it dawned on me that we were not necessarily talking about the same phenomena. Some blogs offer hope for a new kind of journalism. Some don’t, because they are doing a different kind of thing – things which may in themselves be valuable.</span><br />
</span><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content">I am going to make an attempt to invent some new words for different kinds of blog, in the hope that readers will dive in, add and improve. Where possible, I have tried to adapt the terminology of the past, including that which accompanied the invention of the printing press. I think historical resonances can be helpful in illuminating what is going on in new media, as well as reminding us that this is not the first time that technological innovation has changed almost everything about how we communicate. Certain human needs persist. The means of satisfying them alters.</span><br />
</span><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content">So, here goes:</span><br />
</span><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content"><strong>Pamphleteering Blogs. </strong>These are the sites where an individual or, more commonly these days, groups of individuals argue a case or push a cause. Usually they are responding to facts reported in the mainstream media or occasionally on other blogs. The pamphleteering function is older than the printing press. Before literacy there was the Speakers’ Corner, where those pushing their views would be heckled, harassed and sometimes pelted with fruit and worse. The printing press took the rotten tomatoes out of the business. The internet brings back the interaction, but now we call the tomato-throwers “trolls.” The printing press also meant that only some views got published. The internet has taken out much of that filtering process. I would suggest that on the Australian scene, <a href="http://larvatusprodeo.net/" target="_blank">Larvatus Prodeo</a>, <a href="http://catallaxyfiles.com/" target="_blank">Catalaxy</a>, and <a href="http://andrewnorton.info/" target="_blank">Andrew Norton’s blog</a> blog are examples of pamphleteering, although all three also act as digests and, very occasionally, news blogs.</span><br />
</span><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content"><strong>The Digest Blog. </strong>These act primarily as guides and summaries to things you can access elsewhere, either in the mainstream media or on other blogs. Sometimes they include commentary as well. I think the digest function of blogs is becoming less important, because social networking sites are overtaking the function. In the future it may well be that what we read, listen to and view will be determined primarily by what our online social network pushes our way. Most pamphleteering blogs also perform a digest function by using hotlinks, but I would suggest that apparent Advocacy Blogs (see below for definition) such as the <a href="http://www.fairgofairfax.org.au/" target="_blank">FairGoFairfax</a> site established by the journalists’ union in recent weeks are, although ostensibly about advocacy of a cause, serving more as a digest and portal to mainstream media articles on the topic of journalism and redundancies. The same could be said about the rival Fairfax management site <a href="http://fairfaxjustthefacts.com.au/justthefacts" target="_blank">Just the Facts</a>. Although theoretically opposed to each other, both sites tend to link to the same articles.</span><br />
</span><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content"><strong>The Advocacy Blog. </strong>Perhaps this is a subset of pamphleteering, but I am putting it in a separate category because these blogs tend to be run by established advocacy groups or commercial organisations rather than by individuals, and concern themselves with a single topic, whereas the pamphleteering sites cover many different issues. Examples of advocacy blogs include <a href="http://www.nowwearetalking.com.au/blogs" target="_blank">Telstra’s exercise in corporate spin</a> and politicians’ blogs, such as <a href="http://bob-brown.greensmps.org.au/blog" target="_blank">this one</a>. </span><br />
</span><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content"><strong>The Popular Mechanics Blog. </strong>Okay, I really need some help with the terminology here. The idea I am trying to capture is that there is now a large and diverse set of often uniquely valuable blogs that offer training and advice in specialist fields, serving the same function as magazines such as Popular Mechanics. Being a gardener, I am particularly aware of blogs that tell me how to get better cabbages or deal with earwigs. Here is <a href="http://www.aussiegardening.com.au/garden/Gardening-Blogs-and-Homepages" target="_blank">a list of some of them</a>. My husband is a photographer, and his favourite site at the moment is <a href="http://strobist.blogspot.com/" target="_blank">Strobist</a>, which is full of detailed information and quite wacky but clever hints on how to light photographic subjects without spending a fortune of special equipment. Like most of the really good Popular Mechanics type blogs, Strobist earns money from advertising and is on the way to becoming a sustainable business. The depth and quality of the information available on the best of these blogs surpasses anything available in specialist magazines.</span><br />
</span><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content"><strong>The Exhibition Blog. </strong>I could have called these blogs “vanity publishing”, but I don’t like the pejorative overtones. These are blogs maintained by writers, craftspeople, artists and artisans of many kinds in which they bring their creations to a wider audience, and sometimes discuss their methods and thought processes. Take, for example, the many blogs on quilting, such as <a href="http://aroundtheworldin20quilts.blogspot.com/" target="_blank">AroundtheWorldIn20Quilts</a>, which is a collaboration between quilters in the Netherlands, the United States, Britain and Australia. Sometimes Exhibition Blogs also serve as Diary Blogs (see below).</span><br />
</span><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content"><strong>The Gatewatcher Blog. </strong>Often closely related to the Pamphleteers yet serving, I would suggest, the separate function of allowing specialists, experts and others with particular knowledge of public events to watch and hold to account the “gatekeepers” of traditional media. The best known example in Australia is surely Possum Comitatus, whose role in shaming the <em>Australian</em> newspaper in the lead-up to the last election has been widely commented on, including by <a href="http://www.creative.org.au/webboard/results.chtml?filename_num=170330" target="_blank">me</a>. The American journalism academic Jay Rosen and others are experimenting with a mixture of gatewatching and crowdsourcing in their <a href="http://www.beatblogging.org/" target="_blank">Beat Blogging</a> project, in which the kinds of people who would normally be a journalist’s sources are encouraged to interact with the reporters on line, with the aim of improving the journalism. I can’t think of an old-media technology term for the gatewatching blogs. Perhaps it is a new function, in which case, three cheers.</span><br />
</span><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content"><strong>The Diary. </strong>As old as the hills, but now it is public – or partly so. This is the kind of blog people are usually referring to when they claim that most blogging is “rubbish.” What they mean is that they are not interested in it. Nobody says they have to be. The many Diary Blogs are intended for the friends and family of individuals. They contain news, photos and information of a largely personal kind. Often they read as self-indulgent, but since when were diaries anything else? That doesn’t mean that they aren’t valuable and important to those who keep them. The Diary Blog is, I suspect, in decline because of the rise of social networking sites, which allow the dissemination of this kind of information among geographically dispersed “friends,” without the need to make it available to all.</span><br />
</span><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content"><strong>The Advertisement. </strong>Nothing new here. A close relative to the Advocacy Blog, but sometimes less honest. Companies are paying established bloggers undisclosed kickbacks to boost their products, as well as establishing their own blogs to do the same. </span><br />
</span><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content"><strong>The News Blog. </strong>This one is in its infancy in Australia, though arguably Crikey grew from a news blog, founded by Stephen Mayne, who is now having another go with the <a href="http://www.maynereport.com.au/" target="_blank">Mayne Report</a>. Both of Mayne’s enterprises relied largely on email, which perhaps takes them out of the category “blogs.” Or perhaps not. Advocacy, Gatewatching and Pamphleteering Blogs can also report news, but tend to so incidentally and intermittently. News blogs in the United States are of course better established, and have been used to cover and even break some very important stories indeed. Salam Pax, the Baghdad blogger, is another example. Another variant is the hyperlocal news site, in which news specific to an area is reported in depth. In the United States some of these sites have become sustainable businesses employing reporters as well as making use of user contributed content. It may well be that when asking whether blogging can make a useful contribution to journalism, we need to think about niche and speciality, rather than sticking with old notions that the only journalism that really matters is mass media reporting. The local is a natural “speciality,” but it is not the only one.</span><br />
</span><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content">I wouldn’t pretend for a second that the above taxonomy of blogs is exhaustive or final. But I hope I have demonstrated that when commentators sneer at blogs and ridicule any suggestion that they could be a useful and important adjunct, or even replacement, for aspects of the mainstream media, they would do well to define their terms.</span></span><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content">Blogs do some things very well indeed. Some of the things they do are old functions in new clothes, and some of the things they do are new. </span></span><span class="each_lines::webboard::content"><br />
</span><span class="each_lines::webboard::content"><span class="rawtext::webboard::content">I suspect that in a decade, the word “blog” will no longer be widely used. Instead we will have a whole lot of new words to reflect the diversity of individual publishing on the World Wide Web. •</span><br />
</span></span><br />
</span></p>
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		<title>The Rise Of The Creative Class</title>
		<link>http://industryofcreativity.wordpress.com/2009/03/23/the-rise-of-the-creative-class/</link>
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		<pubDate>Mon, 23 Mar 2009 18:24:37 +0000</pubDate>
		<dc:creator>theindustryofcreativity</dc:creator>
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		<description><![CDATA[This video is about Richard Florida&#8217;s book, The Rise of the Creative Class. It gives us a provocative new way to think about why we live as we do today-and where we might be headed. Weaving storytelling with masses of new and updated research, Richard Florida traces the fundamental theme that runs through a host of seemingly unrelated changes [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=industryofcreativity.wordpress.com&amp;blog=6726038&amp;post=69&amp;subd=industryofcreativity&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>This video is about Richard Florida&#8217;s book, The Rise of the Creative Class. It gives us a provocative new way to think about why we live as we do today-and where we might be headed. Weaving storytelling with masses of new and updated research, Richard Florida traces the fundamental theme that runs through a host of seemingly unrelated changes in American society: the growing role of creativity in our economy. Florida describes a society in which the creative ethos is increasingly dominant. Millions of us are beginning to work and live much as creative types like artists and scientists always have-with the result that our values and tastes, our personal relationships, our choices of where to live, and even our sense and use of time are changing. The Rise of the Creative Class chronicles the ongoing sea of change in people&#8217;s choices and attitudes, and shows not only what&#8217;s happening but also how it stems from a fundamental economic change. The Creative Class now comprises more than thirty percent of the entire workforce. Their choices have already had a huge economic impact. In the future they will determine how the workplace is organized, what companies will prosper or go bankrupt, and even which cities will thrive or wither.</p>
<p><span style="color:#0000ee;text-decoration:underline;"><a href="http://www.youtube.com/watch?v=iLstkIZ5t8g"><span style="text-align:center; display: block;"><a href="http://industryofcreativity.wordpress.com/2009/03/23/the-rise-of-the-creative-class/"><img src="http://img.youtube.com/vi/iLstkIZ5t8g/2.jpg" alt="" /></a></span></a></span></p>
<p>Ida de Boer</p>
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		<title>Key Concepts : The Creative Economy</title>
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		<pubDate>Mon, 23 Mar 2009 09:36:53 +0000</pubDate>
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		<description><![CDATA[Seen from perspective of the creative economy, the artist is a generator of economic value. To many people this is a strange and unwelcome idea. We are used to thinking of economic wealth and power as something totally distinct from creative wealth and power. Many business people, artists and policy-makers seem to prefer it that [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=industryofcreativity.wordpress.com&amp;blog=6726038&amp;post=65&amp;subd=industryofcreativity&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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<td valign="top">Seen from perspective of the creative economy, the artist is a generator of economic value. To many people this is a strange and unwelcome idea. We are used to thinking of economic wealth and power as something totally distinct from creative wealth and power. Many business people, artists and policy-makers seem to prefer it that way. Why?</p>
<hr />
<h3>Aspects of Creativity</h3>
<p>For the industrial age, human creativity was divisible into distinct activities:</p>
<li>analysing and controlling the physical world: science.</li>
<li>setting up business processes and making wealth: management and entrepreneurship.</li>
<li>making things that communicate and interact with individual people: arts, or humanities.This happened because industrial manufacturing did not need the third kind of creativity. An economy based on mass production only needs to understand people en masse. An industrial age business is successful precisely to the extent that it standardises its relationships with people, and does not waste resources treating each employee or consumer as a different individual.These aspects of creativity have diverged so much in our minds that we now see them as distinct, even incompatible, kinds of activity, with different types of learning, behaviour and language. The distinction has become an organising principle that is reflected in all our public institutions. It can be seen in universities, with their separate schools for arts, science and business, in government departments and in the long-standing isolation of business from the arts.
<p>But this distinction only grew out of the needs of industrial economies. It does not exist before them. It would have been meaningless to Galileo. Today there are still business people who believe that art has nothing to do with the real world. What would the engineer and weapons designer da Vinci say to that? There are artists today who say they are humiliated by the need to earn money, that the state owes them a living. What would the entrepreneur and property developer Shakespeare make of that?</p>
<p>Just as the industrial age replaced the agricultural age that preceded it, so the industrial age is being replaced in its turn. We are moving into a different world now. A world where the raw materials are not coal and steel but information, where the most valuable products are ideas and meanings, produced not by machines but by the imagination.</p>
<hr />
<h3>All Businesses Need Culture</h3>
<p>As technology advances, the suppliers of traditional consumer goods and services find it harder to compete first on price and then on quality. Their response is increasingly to distinguish themselves by building lifestyle or cultural value into their product offer. This makes the creative industries a contributor to all sectors of the modern economy.</p>
<p>In the past, if I bought a coat I would do so because I was cold, and I would choose it on the impersonal grounds that this coat is warmer and will last longer than that one. Now, if I buy a designer suit I do so to express myself, and the business that wants to sell me such a product has to appeal to me in a much more complex and delicate way. It must appeal to me as an individual.</p>
<p>The mass market is changing too. Think of Nike, or Coca Cola. What do these companies actually do? They don&#8217;t make shoes or drinks, they get other companies to do that. Their whole manufacturing process is outsourced. It&#8217;s appropriate for them to do this because the shoe and the drink are incidental to the real sales offer &#8211; which is a lifestyle. Companies like Nike and Coca Cola do not manage factories, they manage narratives. And the language that they use is not analytic and impersonal, but intuitive and aesthetic. It is the language of the storyteller, the entertainer, the artist.</p>
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<h3>Culture: an Economic Resource</h3>
<p>In this context it is clear that human creativity is all of a piece, and that the old view that science, industry and culture are essentially distinct is now obsolete, and is a serious barrier to progress in business, in social regeneration and in the arts. In the era of creative economy, art is ordinary, and there is essentially no difference between the creativity of the entrepreneur, the scientist and the artist.</p>
<p>Today&#8217;s most creative individuals deploy all aspects of their creativity without being constrained by the categories of a past age. Alongside entrepreneurial and technical skills, the traditional arts skills are now critical in business.</p>
<p>Today our cultural products are rich information mines, a precious natural resource. But instead of being buried under the ground like the minerals of the last industrial revolution, these resources are in people&#8217;s minds, in their social practise, in their everyday language, in their dress codes. There is a fantastic amount of information folded into a novel, or a film, in tribal music, folklore, spoken languages, contemporary art, fashion clothing. All of these are dense repositories of meanings, and are among a nation&#8217;s most valuable economic resources. Already it is clear that the most successful modern economies are net exporters of culture to the world.</p>
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<h3>Role of the Artist</h3>
<p>All this means that the role of the artist is changing. The artist is no longer a peculiar outsider, with a magical gift that the state or the rich must protect. Artistic creativity is an ordinary human activity. Playing a musical instrument, writing, making a film &#8211; these are specialisms and as with any specialism it&#8217;s hard work and some people will be better than others. But creative skill is not magic. It can be taught and learnt.</p>
<p>From: <a href="http://www.creativeclusters.com/modules/eventsystem/?fct=eventmenus&amp;action=displaypage&amp;id=34">http://www.creativeclusters.com/modules/eventsystem/?fct=eventmenus&amp;action=displaypage&amp;id=34</a></li>
<p> </p>
<p>Like i mentioned before already&#8230;it&#8217;s not just about the businesses that derive from the creative industry&#8230;it are also the artists that count. I&#8217;m not sure though if i agree with the fact that being creative, or being an artist, can be taught. I believe that there are definitely some people with gifts and some things just can&#8217;t be taught.</p>
<p>Diana</td>
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		<title>Maybe Somewhere Where We Can Work After Our Studies</title>
		<link>http://industryofcreativity.wordpress.com/2009/03/23/maybe-somewhere-where-we-can-work-after-our-studies/</link>
		<comments>http://industryofcreativity.wordpress.com/2009/03/23/maybe-somewhere-where-we-can-work-after-our-studies/#comments</comments>
		<pubDate>Mon, 23 Mar 2009 09:09:59 +0000</pubDate>
		<dc:creator>theindustryofcreativity</dc:creator>
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		<description><![CDATA[hey guys, I just started to check out some stuff about the creative industry&#8230;like, what could we actually do once we finished our studies. I found this company, which looks quite interesting. So now you know what we could do&#8230;.nice to know i guess. Here is the link: http://www.cids.co.uk/consultancy/ It&#8217;s a company based in the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=industryofcreativity.wordpress.com&amp;blog=6726038&amp;post=62&amp;subd=industryofcreativity&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>hey guys,</p>
<p>I just started to check out some stuff about the creative industry&#8230;like, what could we actually do once we finished our studies. I found this company, which looks quite interesting. So now you know what we could do&#8230;.nice to know i guess.</p>
<p>Here is the link:</p>
<p><a href="http://www.cids.co.uk/consultancy/">http://www.cids.co.uk/consultancy/</a></p>
<p>It&#8217;s a company based in the U.K., in Manchester. have a look</p>
<p>enjoy,</p>
<p>Diana</p>
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		<title>Gaming, Creative Industry And The Crisis</title>
		<link>http://industryofcreativity.wordpress.com/2009/03/17/gaming-creative-industry-and-the-crisis/</link>
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		<pubDate>Tue, 17 Mar 2009 10:19:02 +0000</pubDate>
		<dc:creator>theindustryofcreativity</dc:creator>
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		<description><![CDATA[Hi guys, I found this article and I thought it might be interesting. We did a presentation about Gaming as well, so it all fits within the classes again:) Greets, Esther Verstraten &#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;- 27 February, 2009 CREATIVE DOWNTUM Article by: Rob Fahey Published as part of our sister-site GamesIndustry.biz&#8217; widely-read weekly newsletter, the GamesIndustry.biz Editorial [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=industryofcreativity.wordpress.com&amp;blog=6726038&amp;post=59&amp;subd=industryofcreativity&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p class="timestamp">Hi guys,</p>
<p class="timestamp">I found this article and I thought it might be interesting. We did a presentation about Gaming as well, so it all fits within the classes again:)</p>
<p class="timestamp">Greets, Esther Verstraten</p>
<p class="timestamp">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<p class="timestamp">27 February, 2009</p>
<p class="timestamp">CREATIVE DOWNTUM</p>
<p class="timestamp">Article by: Rob Fahey</p>
<div class="copy">
<div>
<div class="introduction"><!--Introduction--><em>Published as part of our sister-site <a href="http://www.gamesindustry.biz/"><span style="color:#0069f4;">GamesIndustry.biz&#8217;</span></a> widely-read weekly newsletter, the GamesIndustry.biz Editorial is a weekly dissection of one of the issues weighing on the minds of the people at the top of the games business. It appears on Eurogamer after it goes out to GI.biz newsletter subscribers.</em></div>
<p>On the face of it, you wouldn&#8217;t expect the next couple of years to be very good for innovation and creativity in videogames. Admittedly, widespread fears over the effects of recession are somewhat overblown &#8211; right now, there&#8217;s simply no evidence that economic woes are impacting on videogame sales and 2009 still looks set to be a growth year for the market.</p>
<p>However, the recession &#8211; and perhaps more importantly, the slow-down of commercial lending from banks &#8211; creates a certain mindset among businesspeople, even those whose sectors are still in rude health. EA&#8217;s John Riccitiello summed up the mood at the DICE Summit earlier this month, where he told the audience that EA &#8211; which has recently cut 1,100 jobs in its worldwide operations &#8211; had become &#8220;too fat, too reliant on where things were.&#8221;</p>
<p>Of course, that would have been true even if the recession had never happened &#8211; in fact, people including some of EA&#8217;s own executives have been suggesting that the company is bloated and inefficient for years, a fact underlined by years of rising costs and relatively stagnant revenues.</p>
<p>As Riccitiello admitted, however, to firms in this position (and it&#8217;s certainly not just EA that finds itself staring at the consequences of uncontrolled cost rises), the recession has been a &#8220;blessing in disguise&#8221;. Suddenly, macro-economic conditions allow them to slash their costs without anyone batting an eyelid, while the same moves twelve months ago would have caused serious concerns about the company&#8217;s status.</p>
<p>So even for those companies whose products will continue to see sales growth for the next couple of years, the atmosphere is one of frugality. Drought in the credit markets doesn&#8217;t help, naturally, but for the most part this sense of belt-tightening is more to do with companies taking the opportunity to scale back costs than it is to do with any real financial necessity.</p>
<p>Sadly, when companies scale back costs, they often do so at the expense of throwing out a whole creche full of babies along with the bathwater. If you look at the operations of a big first-party studio, for instance, much of the wasted resource comes from big-name titles, especially those on 12 or 18 month franchise schedules. Money and man-hours are thrown away on bloated, mismanaged teams, the legacy of years of ill-advised &#8220;throw more people at the problem&#8221; solutions to problematic deadlines.</p>
<p>However, trimming the fat from those teams is hard work. Everyone on the team will fight their corner, claiming their intrinsic worth to the profitable project. Each middle-manager will act like a minor feudal lord, jealously guarding his painstakingly accumulated collection of vassals and subjects. Team sizes, all too often, end up being more to do with office politics and power-grabs than to do with the actual requirements of making a game, and extricating a small, lean, efficient team from this quagmire requires a huge amount of work and some very tough decisions.</p>
<p>Meanwhile, most studios also boast a handful of nascent projects &#8211; ideas which are floating around in the pre-production stages, championed by a handful of developers and designers who are working on the concept. On a slightly larger scale are the original game projects, games in production but lacking a big franchise or IP license behind them.</p>
<p>These projects are risky. They&#8217;re not guaranteed any level of commercial success, and while critics all profess to love original IP, that doesn&#8217;t mean that original projects are guaranteed a high Metacritic rating either. Compared with the risks associated with trying to trim back costs on high-profile franchise projects, the decision to instead cut back on new ideas and teams working on unproven IP will look extremely tempting to many studios. The same logic, too, will apply at the publishing level, with risky ideas likely to find far less warm receptions at publishers in the coming years.</p>
<p>Both from a creative perspective and from a more long-term business perspective, this is bad news. Creativity has always demanded some risk taking behaviour from publishers &#8211; more specifically, a willingness to balance out the risk of some original projects against the guaranteed returns of some blockbuster franchises. The industry&#8217;s business model, meanwhile, demands that creativity to survive. Without the risk-taking that allows original IP to emerge, the games industry would soon find itself feeding off scraps from the table of the movie, TV and sports licensing industries.</p>
<p>However, not all publishers are quite as willing to clamp down on risk as they used to be. EA is a perfect example; since Riccitiello returned to the company, the firm has been making increasingly encouraging noises and now seems to understand that risk is an essential part of the business of making entertainment, rather than being an unfortunate side-effect which must be controlled and reduced. Some other publishers are slowly but surely getting the message; the platform holders, too, are learning. Whatever else it may have done wrong of late, Sony deserves special praise for its recent willingness to try out new ideas and champion creativity through its first-party releases.</p></div>
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